POLISH LANDSCAPES

The goal of the INVITATION Festival is to showcase the music of forgotten artists associated with Poland from the first half of the twentieth century, in all its diversity and richness. Three insights into the Polish musical life of this period allow us to become aware of the role and importance of Polish heritage in the field of "contemporary" music, in the researching and popularizing of "early music", and the discerning of Jazz as the "music of the future"

Start

2018-10-02 - 8:00 PM

End

2018-10-02 - 10:00 PM

Address

Carnegie Hall, Weill Recital Hall, NY, USA   View map

PRESENTED BY FUNDACJA ARTYSTYCZNA CONCENTUS PRO ARTE

 

 

The Legacy of Polish Music Abroad at Three Glances:
POLISH LANDSCAPES

 

Joanna Okoń violin
Katarzyna Glensk piano

 

Program:

PIOTR MASZYNSKI ( 1855- 1934 ) ROMANS

ZOFIA OSSENDOWSKA ( 1887-1943 ) HILDAGO E GITANA

WACŁAW NIEMCZYK ( 1907 -? ) VALSE CAPRICE

STANISŁAW LIPSKI ( 1880-1937 ) IMPROVISATION OP. 10

ALFRED MISTOWSKI ( 1872- 1964 ) GIGUE

LEOPOLD GODOWSKI ( 1870- 1938 ) ALT-WIEN ( ARR. JASCHA HEIFETZ )

ADAM WIENIAWSKI ( 1879- 1950 ) ORIENTALE

POLDOWSKI ( REGINE WIENIAWSKI ) ( 1879-1932 ) TANGO

TYMOTEUSZ ADAMOWSKI ( 1858-1943 ) MAZUR

JOSEPH ACHRON ( 1886-1943 ) HEBREW MELODY

MIECZYSŁAW WEINBERG ( 1919-1996 ) RHAPSODY ON MOLDAVIAN THEMES OP 47 NR 3

 

Free tickets available at the box office, limit of 4 per person

 

dowload PDF with program

 

 

 

MORE DETAIL

Email

concentus@narolarte.pl

Gotham Early Music Scene, Inc.

340 Riverside Drive Suite 1-A, New York, NY 10025
P: (212) 866 – 0468
F: (212) 866 – 0477

Artistic Foundation CONCENTUS PRO ARTE

ul. Gen. Maczka 13,
05-230 Kobyłka, Poland
concentus@narolarte.pl

Tickets: FREE

carnegiehall.org

CarnegieCharge 212-247-7800

Box Office at 57th and Seventh

LEGACY OF POLISH MUSIC ABROAD  AT THREE GLANCES
The goal of the INVITATION Festival is to showcase the music of forgotten artists associated with Poland from the first half of the twentieth century, in all its diversity and richness. Three insights into the Polish musical life of this period allow us to become aware of the role and importance of Polish heritage in the field of “contemporary” music, in the researching and popularizing of “early music”, and the discerning of Jazz as the “music of the future”.

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